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Primero Estaba el Mar
© » KADIST

Felipe Arturo

Installation (Installation)

Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement. Each waveform represents a syllable of the sentence “Primero estaba el mar.” This sentence is the first verse of the Kogui poem of creation. For the Koguis, an indigenous community from the Sierra Nevada de Santa Marta on the Colombian Caribbean coast, water was the absolute presence before the creation of the universe.

Trópico entrópico
© » KADIST

Felipe Arturo

Installation (Installation)

Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated. One basic illustration of entropy is to imagine white and black sand: once mixed together, it is highly unlikely that the contrasting grains of sand can be separated and restored to their original distinct color groups. Arturo’s Trópico Entrópico ( Entropic Tropics , 2012) considers the colonization of the American continent as a similarly irreversible process of cultural entropy.

Untitled
© » KADIST

Gabriel Sierra

Sculpture (Sculpture)

Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian.

Vallegrande 1967
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.

Los rastreadores
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez. In the video, Suarez returns home from prison and survives a massacre that takes place at his home in Bolivia. Told in four chapters, the story is inspired by John Ford’s American Western classic film The Searchers (1956), this work similarly focuses on the politicized atmosphere of Bolivian history, searching for cues of race and alienation.

Stone Deaf (Drawing)
© » KADIST

Milena Bonilla

Drawing & Print (Drawing & Print)

Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions. Her drawings, sculptures, and photography are active investigations into our often-fallible notions of history. Stone Deaf (2009) is a direct intervention into Karl Marx’s gravesite, for which the artist literally traced the history of Marx’s grave.

Round and Round and Consumed by Fire
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.

Drawn and Quartered
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido)
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist. The video begins with the image of a ghost-like female figure, representing La Llorona, slowly walking down a well-known street in Oaxaca, from the main square (el Zócalo) to the Teatro Macedonio Alcalá, with a painful expression on her face. According to this famous oral myth, the Weeping Woman drowned her two sons in a fit of grief and anger after her husband abandoned her.

Roca Carbón (Charcoal Rock)
© » KADIST

Mateo Lopez

Sculpture (Sculpture)

With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

Sculpture (Sculpture)

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist. Both of those interests feed deeply into his artistic practice, which ranges from workshops, dialogues, and exchanges to environments, drawings, and sculpture. Metaphors of the presence or conversations at the speed of light (2012) is a sculpture of a lightbulb that the artist altered.

Casa de la cabeza (House of the head)
© » KADIST

Bernardo Ortiz

Drawing & Print (Drawing & Print)

Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head.

Two Eyes Two Mouth
© » KADIST

Erika Verzutti

Painting (Painting)

Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.

Roca Grafito (Graphite Rock)
© » KADIST

Mateo Lopez

Sculpture (Sculpture)

With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.

Ante la imagen
© » KADIST

Oscar Munoz

Photography (Photography)

In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person. Since a photograph is fixed, it cannot encapsulate the spirit of someone who is gone. Muñoz etched onto the surface of a mirror an appropriated historical image, a daguerreotype from 1839.

Almohada
© » KADIST

Mateo Lopez

Installation (Installation)

Mateo Lopez uses paper as a medium to conjure personal experiences. The artist creates drawings and trompe l’oeil objects, ranging from apples to clothing hangers to doors. These props are part of a performance; he often sets up his studio in public and uses cues from his own journeys as the inspiration for his work.

Destilaciones
© » KADIST

Ximena Garrido Lecca

Sculpture (Sculpture)

Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure. Copper pipes run through the perforated ceramics, evoking the design of an oil purifier. The work is a direct reference to the history of the Peruvian coastal town of Lobitos.

Corrupted file from page 14, (V1)
© » KADIST

Alessandro Balteo Yazbeck

Photography (Photography)

Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No. 1, 1974-1976 presents an interrupted image. The images capture scenes from an urban development, La Vega, built to modernize and connect favelas in Venezuela.

Abece “K”
© » KADIST

Johanna Calle

Drawing & Print (Drawing & Print)

Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet. There is a drawing for each letter, in which the letter is repeated over and again in various directions and scales, thereby demonstrating how a symbol can be reoriented without changing its linguistic meaning. Here, the letter K is outlined and surrounded by a dense and varied field of other K s.

Suburbia 1, Espinca bifida #3, Laconista7
© » KADIST

Johanna Calle

Drawing & Print (Drawing & Print)

Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities. A newspaper is both reproduced and modified to call attention to the newspaper as a means of information transmission. This also emphasizes the effect of various seemingly unimportant support mechanisms: the role of visual layout and images.

Central Region
© » KADIST

Tanatchai Bandasak

Film & Video (Film & Video)

Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War. In Bandasak’s unpretentious, animist portrait of the ruins, what is remarkable is the absence of the embodied observer, instead, it is the technical parsing of the digital video camera that enlivens these prodigiously still, mute and enduring objects, through a chanceless sequence of static shots, dissolving measure and revealing gradual modulations of light. The piece evokes a spectral landscape energised by the undead and the nonhuman, opening up contemporary philosophical questions via seemingly ageless and inert artifacts.

The Rebellion of the Roots (France)
© » KADIST

Daniela Ortiz

Painting (Painting)

The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism. The work is divided into four short stories: About Afghanistan and heroin , About Exposition Colonial and cow , About Jardin d’acclimatation and potato , and About Vietnam . The series of 14 painted panels draw upon the aesthetic of ex-votos, a genre of traditional religious folk painting that acts as a tribute for divine intervention in response to personal tragedy.

Wheat Mollah
© » KADIST

Slavs and Tatars

Sculpture (Sculpture)

Wheat Mollah ( 2011) is one of Slavs and Tatars composite object. The title Wheat Mollah has various interpretations, from “master” or spiritual authority for Shiites and “friend” for Sunnis. The turban is also worn in a diversity of cultures and religions in Africa, Asia and India.

National Landscape (House of Services)
© » KADIST

Nikita Kadan

Drawing & Print (Drawing & Print)

East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’. This region, in conflict since spring 2014, is where most of the charcoal is extracted. It is with this same coal that artist Nikita Kadan realizes this drawing in 2018, representing a field on which is juxtaposed a small photograph.

Unhealed
© » KADIST

Tenzing Rigdol

Photography (Photography)

Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events. Each date and region is marked with a needle, a reference to the traditional Chinese medicine method for treating ailments, used to mark the regions and dates of major uprisings and mass protests as a means of encouraging dialogue and to start the recovery process. Millions of Tibetans have died in those protests.

The Golden State
© » KADIST

William E. Jones

Photography (Photography)

His series, The Golden State, harkens back to his early career and his photographic training. Using a still camera to compose the fifty images of the series, Jones turns his lens on the vernacular architecture of California’s southern region, looking at the iconic and idiosyncratic spaces that define a region. William E. Jones is a filmmaker, writer, and artist whose interests lie in the circulation of images—images that are broadcast, images that are hidden, and images that become imbedded in our collective consciousness.

Potosi
© » KADIST

Antonio Vega Macotela

Sculpture (Sculpture)

The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela. Historically, these mines bankrolled Spanish imperial coinage; the Spanish began excavating the site for silver in 1545 in what is now Bolivia. The mines themselves are situated at great altitude in the Andes, and are inhospitable to animal labor.

Apuntes para panorama Catatumbo
© » KADIST

Nohemí Pérez

Drawing & Print (Drawing & Print)

A rich and isolated region, El Catatumbo is located near the border with Venezuela. Different groups fight over its gold and oil, while narcotic plantations have exploited the region over the years, provoking massacres, displacement, and migrations amongst its native populations. Nohemí Pérez’s skillful and eloquent watercolors, titled Apuntes para panorama Catatumbo , testifies to this aspect of Colombia’s history that has been veiled by other equally pressing political issues.

Claudia Joskowicz

Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...

Subas Tamang

Part of the Indigenous Tamsaling community in Nepal, Subas Tamang comes from a family of traditional stone carvers...

Xyza Cruz Bacani

Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...

Claudia Andujar

Claudia Andujar was born in Switzerland in 1931, and then moved to Oradea, on the border between Romania and Hungary, where her paternal family, of Jewish origin, lived...

Wang Tuo

Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...

Mateo Lopez

Zhang Kechun

Photographer Zhang Kechun documents striking scenery that meditates on the significance of landscape in modern Chinese national identity...

Nontawat Numbenchapol

Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...

Joana Hadjithomas & Khalil Joreige

Joana Hadjithomas and Khalil Joreige collaborate as both filmmakers and artists, producing cinematic and visual artwork that intertwine, spanning feature and documentary films, video and photographic installations, sculpture, performance lectures and texts...

Subash Thebe Limbu

Subash Thebe Limbu considers his works to be science fiction through an Indigenous lens, rooted in the language, script, songs, and symbols of the Yakthung (Limbu) peoples...

Carolina Caycedo

Carolina Caycedo’s work triumphs environmental justice through demonstrations of resistance and solidarity...

Lieko Shiga

Based on an instinctive feeling of unease with the convenience and automation of daily life, Lieko Shiga has developed an artistic approach that links questions about the nature of the photographic medium with fundamental questions about life and the means of expressing oneself...

Pratchaya Phinthong

Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...

Milena Bonilla

Milena Bonilla’s discursive practice explores connections among economics, territory, transit, and politics through everyday interventions...

Walid Raad

Walid Raad is a Lebanese artist whose work investigates the way historical events of physical and psychological violence affect bodies, minds, culture, and memory...

Felipe Arturo

Andrei Monastyrski

Artist, poet, writer and theoretician...

Rocky Cajigan

Rocky Cajigan is a Bontoc Igorot artist working in the contemporary contexts of Indigenous people from the Cordilleras region in the northern state of Luzon island in the Philippines...

Victor & Sergiy Kochetov

Viktor Kochetov became engaged in photography in 1968 and was also a professional photographer in film and photo laboratories...

Johanna Calle

Taus Makhacheva

Taus Makhacheva’s performance and video works critically examine what happens when different cultures, traditions come into contact with one another...

Bernardo Ortiz

Gyempo Wangchuk

Gyempo Wangchuk is a unique artist in the Bhutanese, and wider Himalayan context because he combines his classical training in traditional Bhutanese painting with contemporary concepts and aesthetics, as well as discreet but potent expressions of dissidence...

Phan Quang

Visual artist and photographer Phan Quang stages nuanced compositions that illustrate the relationship between global historical events and the personal histories of families and communities in Vietnam...

Sammy Baloji

Sammy Baloji explores the cultural, architectural and industrial heritage of the Katanga region in Congo...

Lenka Clayton and Phillip Andrew Lewis

Lenka Clayton and Phillip Andrew Lewis’s collaborative practice is social at its core: it engages with and connects communities outside of the so-called art world in both production and presentation...

Yuichiro Tamura

Yuichiro Tamura works in a wide range of media including video, photography, installation and performance...

Teresa Burga

A pioneer of Latin American Conceptualism, since the 1960s, Teresa Burga has made works that encompass drawing, painting, sculpture, and conceptual structures that support the display of analytical data and experimental methodologies...

Santiago Yahuarcani

Santiago Yahuarcani belongs to the Aimen+ (White Heron) clan of the Uitoto people of the northern Amazon...

Dale Harding

A descendant of the Bidjara, Ghungalu, and Garingbal peoples, Dale Harding’s work references and expands upon the philosophical and spiritual touchstones of his cultural inheritance...

© » GALERIE MAGAZINE

about 3 months ago (02/09/2024)

5 Must-See Artworks at ZonaMaco 2024 - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe ZONAMACO 2024...

© » FAD MAGAZINE

about 3 months ago (02/01/2024)

Tate Modern announce new partnership with Asymmetry Art Foundation - FAD Magazine Skip to content By Mark Westall • 1 February 2024 Share — Tate Modern © Tate Photography Tate Modern has announced today a new partnership with Asymmetry Art Foundation enabling Alvin Li to be appointed to the role of Curator, International Art and Hera Chan to be appointed Adjunct Curator, Asia-Pacific ...

© » ARTOMITY

about 5 months ago (12/12/2023)

Mrinalini Mukherjee – ARTOMITY 藝源 mould the wing to match the photograph / Asia Art Archive / Sep 20, 2023 – Feb 29, 2024 / Humans use knots to keep records, create decor, bind one another and fasten objects...

© » COLOSSAL

about 5 months ago (12/08/2023)

The historic village of Bat Trang in northern Vietnam has been a hub for ceramic production since the 11th century...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Romain Best — Coulissements par frictions Exhibition Installation, sculpture, mixed media Romain Best, Coulissements par frictions, 2023 © Romain Best Romain Best Coulissements par frictions Ends in 27 days: November 9, 2023 → January 7, 2024 The Project Room is the Frac’s new prospective and experimental space, located in the last room of the Plateau...

© » TATE EXHIBITIONS

about 15 months ago (02/10/2023)

Outi Pieski | Tate St Ives Discover visual artist Outi Pieski’s exploration of identity, culture and environment Outi Pieski is a Sámi visual artist based in Ohcejohka (Utsjoki), Finland...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

As the Cheech Marin Center for Chicano Art and Culture debuts, its founder hopes to inspire a renaissance in a region of California lacking public arts funding....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

A Soon-to-Open Private Museum in China’s Shunde District Could Offer a New Model for Arts Spaces in the Country - via ARTnews...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

BEIRUT: Since the outbreak of the COVID-19 pandemic, museums, galleries and art fairs around the world have launched sophisticated virtual tours, often paired with the hashtags #MuseumFromHome and #ClosedButOpen, to offer a much-needed path to calm, reflection and enlightenment...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

The Donum Estate, the award-winning Pinot Noir producer featuring a monumental sculpture collection located in the acclaimed wine region of Sonoma County, has commissioned award-winning Danish architect and designer David Thulstrup to transform Donum Home...

© » ARTS EQUATOR

about 34 months ago (07/14/2021)

Can the arts solve community issues in the region? The SEA*5 think so...

© » ARTS EQUATOR

about 35 months ago (06/07/2021)

Meeting Point 2021: The cultural worker in a time of social change | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mekong Cultural Hub June 7, 2021 By Wennie Yang (2,000 words, 8-minute read) Laptop fully charged, professional Zoom background selected – Meeting Point 2021 organised by Mekong Cultural Hub and its partners took place virtually between 20 to 22 May 2021...

© » ARTS EQUATOR

about 53 months ago (12/11/2019)

Weekly Southeast Asia Radar: Regional take on arty banana; arts centre on Fish Island | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Marketing Interactive December 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » ARTS EQUATOR

about 65 months ago (12/27/2018)

What to expect from the Repertory Philippines stage in 2019 (via Rappler) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo by Steph Arnaldo/Rappler December 27, 2018 MANILA, Philippines – Theater junkies of all ages will be happy to know that our local theater scene has some top-notch stage entertainment up its talented sleeve for everyone to enjoy in 2019...

© » ARTS EQUATOR

about 66 months ago (12/10/2018)

Eleven New Elements from the Asia-Pacific Region Inscribed on the List of UNESCO’s Intangible Cultural Heritage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar December 10, 2018 Meeting in Mauritius until 1 December, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed eleven elements from the Asia-Pacific region on the Lists of UNESCO’s Intangible Cultural Heritage...

© » ARTS EQUATOR

about 66 months ago (12/04/2018)

ENCATC International Study Tour in Tokyo - Key Observations (via culture360...

© » RANDIAN ART MARKET

about 66 months ago (11/15/2018)

Plans for the inaugural edition of ART SG, a new significant fair for Singapore and the Southeast Asia region continue to be put into place...

© » ARTS EQUATOR

about 67 months ago (11/07/2018)

Ombak Potehi: the Malaysian group reviving traditional Hokkien puppetry (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 7, 2018 In the performance room of Penang House of Music, a museum dedicated to the musical history of this Unesco-listed Malaysian island, a crowd claps excitedly...

© » ARTS EQUATOR

about 67 months ago (10/29/2018)

26th ENCATC Congress – Key Reflections (via culture360...

© » ARTS EQUATOR

about 67 months ago (10/19/2018)

Arts Apart: Where Are Sabah and Sarawak in the Malaysian Arts? (via BFM) Thinking and Talking about Arts and Culture in Southeast Asia Articles October 19, 2018 With Malaysia Day just around the corner, there is a lot of conversation happening about East Malaysia...

© » ARTS EQUATOR

about 68 months ago (09/25/2018)

Cartoonist Zunar on his sedition charges & fight for political reform (via Star2) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 25, 2018 It’s a Saturday afternoon at a major bookstore in the Gardens Mall in Kuala Lumpur...

© » ARTS EQUATOR

about 68 months ago (09/20/2018)

AExGTF Chats: Charlie Lim and .gif in George Town | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 20, 2018 On the closing weekend of the George Town Festival, ArtsEquator interviewed Singaporean musician Charlie Lim and indie-electronic music duo .gif who were in Penang to perform at China House, along with other Singaporean musical acts including Tabitha Nauser and Yung Raja...

© » ARTS EQUATOR

about 68 months ago (09/18/2018)

Biennale seen posing challenges for artists (via The Nation) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 18, 2018 The Bangkok Art Biennale beginning on October 19 will have as its theme “Beyond Bliss”...

© » ARTS EQUATOR

about 68 months ago (09/18/2018)

On The Level with Theatre Students of Taiwan and Thailand (via The Nation) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 19, 2018 A new Taiwan-Thailand drama school collaboration is as delectable as pineapple tarts...

© » ARTS EQUATOR

about 69 months ago (09/13/2018)

Getting schooled on the arts (via The Star) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 14, 2018 From surprise visits to schools, replacing white shoes with black, and referencing the Finnish education system as a possible one to emulate, the new Education Minister Dr Maszlee Malik has made waves with his fresh approach...

© » ARTS EQUATOR

about 69 months ago (09/13/2018)

Book Review: "Ambitious Alignments: New Histories of Southeast Asian Art, 1945–1990" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 13, 2018 By Reaksmey Yean (950 words, five-minute read) A result of a research collaboration organised by the University of Sydney’s Power Institute in partnership with the Institut Teknologi Bandung and National Gallery Singapore, Ambitious Alignments: New Histories of Southeast Asian Art, 1945-1990 is a recently published volume of ten collected essays...

© » ARTS EQUATOR

about 69 months ago (09/10/2018)

Cambodian FB users rage over dance ownership (via The Nation) | ArtsEquator Skip to content August 31, 2018 18:20 United Nations’ cultural agency Unesco’s Facebook page has hosted a heated debate between Cambodians and Thais over Bangkok’s proposal for the inclusion of “khon” masked dance on the agency’s Intangible Cultural Heritage list...

© » ARTS EQUATOR

about 69 months ago (08/30/2018)

AExGTF Chats: Prof Tan Sooi Beng of Ombak Potehi at George Town Festival | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles https://artsequator.com/wp-content/uploads/2018/08/Ombak-potehi_1.mp4 August 30, 2018 Potehi puppet theatre is a traditional Hokkien art form brought to Southeast Asia by immigrants from southern China several centuries ago...

© » ARTS EQUATOR

about 71 months ago (07/15/2018)

Vietnamese artist wins prestigious Signature Art Prize (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 15, 2018 In a dark room, two suspended video screens play images of rice paddies and derelict schoolrooms in rural Vietnam...

© » ARTS EQUATOR

about 71 months ago (06/26/2018)

27 Artists Grapple with the Fractious Politics of Malaysia (via Hyperallergic) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles June 26, 2018 KUALA LUMPUR, Malaysia — Petani Semasa is a significant exhibition on contemporary art about the Patani region of Southern Thailand, that privileges local artists...

© » KADIST

about 3 months ago (02/12/2024)

© » KADIST

about 3 months ago (02/12/2024)

© » KADIST

about 25 months ago (04/02/2022)

© » KADIST

about 63 months ago (02/26/2019)

© » KADIST

about 83 months ago (07/15/2017)

© » KADIST

about 93 months ago (09/06/2016)

© » KADIST

about 106 months ago (08/26/2015)

© » KADIST

about 107 months ago (07/08/2015)

© » KADIST

about 163 months ago (12/04/2010)